Now - I'd never seen tango before (TV doesn't count), and I must say I was quite impressed. Tango happens everywhere, it seemed - a little square on the pedestrian street in front of our hotel turned into a nightly stage for comedians and tango-dancers alike. However, La Ventana was the cream of the crop.
It wasn't just tango, though - it was a historical Argentinian culture lesson. We were treated to some traditional, native (I think) music, and even some Gaucho dancing, which led me to dub the gentleman below The Argentinian Ninja.
This guy was really, really good. Little wooden balls were tied to the ends of his strings, and he swung them around, beating on the floor with a rhythm and speed that made my jaw drop. Easily, this guy was my favorite performer of the night. It must have been a little difficult for him - for all of the other performances, the stage was full of dancers and singers (whom I'll get to in a bit), but this guy came out all alone, and started on a not-very-exciting dance. I felt bad for him, until he whipped out his props, and really got into his act (as is evident from the picture).
The singers were fantastic also - I'd have probably enjoyed it a bit more if I'd paid better attention in my high-school Spanish classes. Apparently, the owner of La Ventana sang in the show - here's a picture of him below. He worked the room, singing Por Una Cabeza, the famous Argentinian song about a love - and gambling on horeseraces. It must have been one of those songs - you know the ones. They come on the radio, and everyone breaks out into song (like Bonjovi's Livin on a Prayer). As soon as he hit the chorus, the room joined in with him, and I wished I knew the words. Here, though, I've got to disagree with Nicole - I think it still romantic, regardless of the horseraces ("por una cabeza" roughly translates to "by a head" - of a horse).
Continuing the history lesson, the performers of La Ventana paid homage to Maria Eva Duarte de Peron, singing "No Llores por Mi Argentina" (Don't cry for me Argentina, written by Andrew Lloyd Webber for a 1973 musical).Clearly, we enjoyed our Tango show very much. When we left, a long, long line was forming across the street as a strangely heterogenous group of folks (teenagers and middle-agers alike) waited to get into some club, and I couldn't help but feel a little smug. Next time, I'll revisit our tours and more walking around the beautiful city, as well as updates on the Second Year of Medical School.
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